Rob Scott-Mitchell

Beach Dogs of Byron Bay

15 January – 26 February 2022

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Through the oceanic gate he sped, with no hint of fear or dread  2020, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Point your toes and lean into the turn, like we’ve practised a hundred times  2020, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Tis true the rainbow has no end…. 2020,

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

My existential self is at one with the clouds and sand… until some lumbering oaf disturbs the balance  2020, 

giclée print on paper, edition 3,

80 x 80cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

If you must know I’m wearing K9 by Calvin Klein  2018, 

giclée print on paper, edition 3,

80 x 80cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Chums along the track, looking for a tasty snack  2020, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Double trouble!  2020, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Put your nose in the air… as if you just don’t care  2021, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Her Majesty would be proud of my stoic resolve to appear happy, whilst sandwiched between two hairy Scots!  2020, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Note to self - I must remember to keep my mouth closed in the surf  2020, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

A bum steer  2020, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Afternoon trots with Bottomley Potts  2020, 

giclée print on paper, edition 3,

80 x 120cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

They came to town with only one thing on their minds… trouble!  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Yes.. I have legs and I can run…  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Yippee poobag!  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Raised a paw in a sandy wave  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Wolverine - Return of the Dog  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

What?  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

This sand is a far cry from the runways of Paris and Milan that I’m used to!  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Would it be Hairy Maclary from Donaldson’s dairy??  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

Klaus Keller, a rather fine fella  2020, 

giclée print on paper, edition 3,

20.2 x 30cm.

lone goat gallery byron bay Rob Scott-Mitchell

Rob Scott-Mitchell

A slow and sad refrain, spoke of love and loss and pain…  2020, 

giclée print on paper, edition 3,

80 x 80cm.

lone goat gallery byron bay Rob Scott-Mitchell

Anonymous

Untitled  2020, giclée print on paper, 28.2 x 38cm 

NFS

Born in 1954 in London, England, Robert Scott-Mitchell moved with his family to Australia in 1955. He studied at the Tasmanian School of Art from 1975-78, completing a Bachelor’s in Visual Arts majoring in Filmmaking. He was awarded a Post-Graduate scholarship by the Tasmanian Arts Advisory Board to study Puppet Animation in Poland and Czechoslovakia 1979-80. 

In 1997 he completed a Master’s Degree in Digital Media Design at the University of Western Sydney, before teaching Interactive Media and Digital Animation at the University of Technology Sydney, as well as at the University of Western Sydney and the Australian Centre for Photography in Sydney. Since 2003, in addition to his own art practice, he worked extensively with his wife, the artist Lindy Lee, contributing portrait photography, digital and Giclée printing to her work. He has collaborated with many renowned artists including Tatzu Nishi on the Kaldor Project for the Art Gallery of New South Wales in 2010. He launched a fine-art printing and digital imaging service, Blackstone Images, at the Sydney Opera House in 2005. Scott-Mitchell has over 30 years experience in the visual arts, ranging from documentary filmmaking and TV, 3D animation, web-design and stills photography to collaborations with some of Australia’s leading artists and designers. He won the National Photographic Portrait Prize in 2007 with a study of Lee, capturing her contemplation of life and death during one of her exhibitions.

Scott-Mitchell and Lee moved to the Northern Rivers in New South Wales in 2014, where they both continued to produce work. Sadly Rob passed away in June 2021 after a brief but intense illness.

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